Subwoofers

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Ed Selley  |  Aug 30, 2013  |  0 comments

SV Sound (SVS) was a pioneer in the field of direct sales in its native US and carved out a solid reputation for producing no-nonsense designs that punched well above their price point. Initially, it mainly offered cylindrical types, which we've previously likened to giant-sized scratching posts, but more recently the designs have also included more conventional boxes, like the SB12-NSD reviewed here.

Adam Rayner  |  Aug 23, 2012  |  0 comments

There are few audio companies with a history as mighty as Tannoy. Like Xerox and Hoover, this is a brand whose very name became the description of an entire product category. Thus the ding-dong gongs at my holiday hotel were made, as my dad would say, through the ‘Tannoy System’.

Ed Selley  |  Jan 19, 2011  |  0 comments
I love a purist. When I buy kit I want it to be the offering of those obsessive designers, who create trends that get the ultimate kudos of being copied. That’s why I love Velodyne – for its approach and its purity. A company run by utter bass heads.
Mark Craven  |  Dec 03, 2021  |  0 comments
hcchighreccomendThanks to its monster 15in driver, Velodyne Acoustics' new sealed subwoofer gives Mark Craven a taste of the low life

Long-term AV fans will remember Velodyne. Once the go-to for superior, face-melting subwoofers, the American company picked up awards left, right and centre for its range of bassmakers, particularly the flagship DD+ series, which peaked with a terrifying 18in model.

Ed Selley  |  Mar 19, 2012  |  0 comments
You have to love the phrase ‘doing the doof-doofs’. A silly term for describing a clever technical process where a device, either a subwoofer or a system-tuning equaliser, has both voice and ears. The voice makes tone burst sounds that sweep from low to high (and go ‘doof-doof’) and the ears are the microphone, supplied with the Velodyne EQ-Max12 – part of a new range of mid-priced subs from the LFE brand. The Digital Signal Processor inside is a five-band parametric equaliser – and it strives to set the woofer to best suit not just your room, but exactly where you put and point it.
Richard Stevenson  |  Apr 10, 2024  |  0 comments
hcchighreccomendThe Impact X Series is Velodyne's take on high-value subwoofery; all the LFE spills without the frills. Available in 10in, 12in and 15in variants, the theme is front-firing single-driver subwoofers with big amplifiers in 'functionally' styled ported cabinets. The 12in model tested here is the Goldilocks of the series, combining a punchy 12in long-throw driver with a 300W class A/B amp
Ed Selley  |  Dec 13, 2011  |  0 comments
Like a wolf in sheep’s clothing Adam Rayner finds that the power behind this sub belies its cute size

If you have a copy of Men in Black II or even Stuart Little II on DVD then you have the 2001-2002 Academy Award-winning animated short, The ChubbChubbs. Its stars are some impossibly cute, fuzzy things that look like ducklings with noses like piglets – yet they turn out to be scary monsters with huge teeth and a terrifyingly large appetite.

Ed Selley  |  Dec 13, 2011  |  0 comments
Wharfedale is one of the UK speaker brands that has been in my awareness for longer than most as it makes stuff that is generally better VFM than just about anyone. And that keen value continues today with this particular line of subs, the PowerCube. This woofer comes in 8in, 10in and 12in flavours and I reckon it’d be brilliant if it also came in a 15in or an 18in, as Wharfedale has packed some lovely stuff in here, but the price is kept low, despite recent increases in the cost of electronics from China.
Ed Selley  |  Dec 29, 2010  |  0 comments
Newish Swedish manufacturer XTZ only sells its subwoofers online in the UK. This practice often means good value, but as you can only audition the kit by paying a deposit for a two-week trial, it has to review well and beat most in its class, irrespective of price.

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