Denon AVC-A1H 15-channel AV amplifier review

hccrefstatusbadgeRichard Stevenson salutes the no-stone-unturned approach of this monster 15.4-channel AV amplifier

Japan's Denon has a rich history of wheeling out truly reference-class AV amplifiers and, spoiler alert, it has done it again. 
The AVC-A1H is its latest feature- and performance-heavy flagship multichannel machine that can trace its heritage back to the likes of the 2007 AVC-A1HD, 2004's epic AVC-A1XV and even the DSP AV granddaddy, the 1996 ACP-A1.

While there has been something of a hiatus in the true A1 dynasty for some 16 years, the AVC-A1H celebrates all the brand's heritage and craftsmanship of the lineage. 
Like its forefathers, it mixes cutting-edge processing and electronics with the sort of attention to sonic refinement that even the hardest of hardcore audiophiles would appreciate. Cast iron feet, an 11.5kg power transformer 
and non-magnetic speaker terminals? Oh yes – and more.

Your flexible friend
The headline billing and red-carpet credentials are stupendous. This is a 15.4-channel processor with 15 channels of amplification, each claiming 150W full-bandwidth power into a sensible 8ohm speaker load, 
and a claimed 210W into a 4ohm load with a 1kHz test tone. This spec gives you incredible setup flexibility, from an epic 9.4.6 speaker configuration down to a rather more mundane 7.1 plus multiple stereo zones. Or how about seven main channels fully bi-amped, along with a subwoofer count of up to four? All possible.

Onboard audio processing covers pretty much every current surround sound format known to man, including Dolby Atmos, DTS:X (including the Pro iteration), Auro-3D and IMAX Enhanced. Audio-only sound formats include several flavours of high-res audio, 360 Reality Audio and MPEG-H, and compatibility with both Apple AirPlay 2 and Denon's own HEOS streaming platform.


Onboard HEOS streaming delivers app-based music playback and multiroom integration

Room EQ is equally flexible. The machine ships with Audyssey's latest MultEQ XT32 system as standard, itself upgradeable to the latest PC-based MultEQ-X. However, if Audyssey is not your thing, Denon 
has struck a deal with Dirac so you can also pay to add Dirac Live room correction (either basic or full bandwidth), via a firmware update.

Video support extends to 8K/60 (with an upscaler onboard), passthrough of all current HDR formats, HDMI 2.1 ports and the ability to run 4K/120Hz if you are into your gaming and have the reflexes of a cat to make the most 
of it (I'm still struggling with Pac-Man). Twin ear-like antennae handle Wi-Fi and Bluetooth wireless signals, 
and there is no shortage of digital and analogue inputs 
to choose from, resulting in a maximalist rear panel with gold-plated connections that turn it into a work of art.

For home system integration, there is IP and RS232 control, and a host of control system compatibility across AMX, Control4 and Crestron.

Yet behind a spec sheet slightly longer than the Magna Carta, there are some true touches of audiophile passion. That monstrous 11.5kg transformer feeds the largest capacitors in the history of Denon AVRs at 33,000µF, 
with the overall architecture boasting a 4mm-thick sandwich chassis, thick copper-track PCBs, and Denon's discrete monolithic power amplifier devices mounted 
onto 4mm-thick copper heat-transfer plates.

At the heart of the AVC-A1H's processing abilities is 
a Sharc Griffin DSP engine in dual-core guise running at 
a sprightly 1GHz. Processing is done entirely in 32-bit, and there are discrete boards for critical components in the chain to further bolster the audio performance. The upshot, says Denon, is a much improved S/N ratio, lowering of both THD and noise, and improved dynamic range compared to Denon's 2020 AV heavyweight, the AVC-X8500HA. The non-magnetic speaker binding posts, with their smoked-clear shields over gold-plated terminals, and 
the 200g all-metal illuminated remote control are the 
icing on a sumptuously constructed, beautifully designed 32kg AV cake.


Symmetrical layout places amps (with heatsinks) either side of Denon's largest ever transformer

Words and pictures
Like much of the attention to audiophile detail, the setup and menu structure owe a great deal to Denon's heritage in AVR design. The GUI is neat and intuitive, will overlay any resolution output and often comes with graphic representations of configurations and functions for clarity. The 'explainer text' that pops up along the bottom of the screen when you highlight a feature in the menu is far more detailed and informative than previous incarnations, with some descriptions extending to 30-40 words. I finally now know what Audyssey LFC does and why I might need it.

One gripe about the GUI and onscreen overlay is the 
bar that appears along the bottom when you make volume adjustments. This is brilliant white and far too bright. If you tweak the volume midway through dark and moody content, such as any recent Batman movie or The Mandalorian, this vivid white bar trashes the overall image and leaves you with a retina after-image. 
You can disable the onscreen volume display, of course, but if the AVC-A1H is hidden away, the onscreen graphic 
is your only visual sound level reference. Bring back the old, subtle yellow bar, please Denon – or at least give us some dimming control.

Faced with an array of possible configurations from 
the fifteen amplifier channels and four independent subwoofer outputs, having to dial back from the maxed-out 9.4.6 option to a 'basic' 7.2.4 array to match my speaker system was painful. I feel all under-speakered now. Inferiority complex aside, setup mode is delightfully logical and onscreen graphical images of speaker layouts, in 3D, do help to get your mind around the physical architecture of an up-to-19 speaker system.

Denon's lengthy but logical setup assistant is here, 
but is ostensibly aimed at novice AVR users. I can't help feeling this 'my first home cinema' type of feature is a bit misplaced on a six-thousand pound flagship. Still, you don't have to use it.

The menus and setup are an article in themselves but 
a big salute to simultaneous RCA output and speaker level out for all channels, and the three-zone system flexibility.

Let's measure up
With Dirac yet to be rolled out to our review sample at 
the time of this audition (it should be available soon, though), the setup and room EQ options were Audyssey 
or manual. The AVC-A1H comes supplied with a microphone and Denon's cardboard cut-out stand for 
a process that involves measuring between three and 
eight seating positions. Even if, like myself, you only have 
a two-seat sofa in the listening room, taking all eight measurements from points around it seems to deliver 
the best-resulting EQ output.


Even without analogue video ports, the AVC-A1H's back- panel is well-stocked, and includes XLR stereo in and XLR subwoofer outs

In its vanilla format, Audyssey MultEQ XT can be a 
little frustrating in its obliqueness in telling you what it 
has actually done to the sound. There are no interesting graphs or obvious EQ curves to reference here. For that, you will need the aforementioned MultEQ-X version, which is available for a licence fee of £150 ($199). This from my experience, is a very welcome addition to the Audyssey package, as it is way more flexible, and offers much better visibility into the EQ workings and results. Still, what I achieved with an eight-point setup with the onboard Audyssey MultEQ platform was none too shoddy. In fact, it was outstanding.

I have reviewed or owned almost every Denon A1 home cinema amp, and there is a sonic signature that spans 
the generations; energetic and powerful, with a huge soundstage and enough adrenaline to turn black-and-white drama flick The Artist into an actioner. Over those decades I found Denon's stablemate brand Marantz approached things altogether subtler, bringing a more even-handed flavour to multichannel sound with audiophile levels of detail and balance. I've flipped between the two brands often, mostly thinking how nice 
it would be to have your all-action cake and eat it with 
a finely crafted wine.

And now you can, because the AVC-A1H bats 
the AVR genre right out of the park. From a first test run 
of The Mandalorian (Season 3, Disney+) to establish baseline and levels, this new amplifier exudes all the enthusiastic charms of its forebears but now blends that energy and scale with frankly breathtaking levels 
of resolution, detail and clarity.

We're in the dark recesses of The Armourer's forge, 
and my entire cinema room is steeped within the cosseting atmosphere, the blast of the furnace and sound of her working the Beskar echoing around the room. 
My 20 square metres all but became the cavernous chamber 
in the most realistic creation of spatial ambience I have heard to date.

Then wham! The sea monster attacks The Watch on the beach, during the inauguration ceremony, and the mighty AVC-A1H unleashes watts with scant regard to neighbours up to five houses away. The roar of the monster is deafening, but details like water splashing around, Mandalorians being knocked about, and blaster fire, leap out of the sonic chaos with amazing precision.

The music swells as Din Djarin's fighter bursts onto the scene, its sound panning seamlessly from the right rear corner of the room to the front soundstage. An initial explosion is thunderous, then the fighter turns for another run and unloads a torpedo to the backing of a grandiose musical score, followed by another explosion that would have anything but the very best subwoofers begging 
for mercy. I got so engrossed, thanks in no small part to this amp's wholly engaging performance, that I nipped back into Disney+ and lost an entire evening recapping the best bits of Season 2.


A pull-down door conceals USB, mic and headphone connections, plus zone/menu controls

Multiverse of magnificence
In an effort to ensure The Mandalorian itself wasn't simply filling me with Star Wars-derived enthusiasm, I switched back to my own reference Marantz AV8805A processor and dual MM8807 power amps. Hmm. The same scenes sounded good, great even, but the soundstage lacked the scale afforded by the Denon amplifier and had nothing like its clarity and resolution. My own system actually sounded a bit laid back and 'polite' by comparison… which is the sort of review conclusion that usually costs me money.

Switching inputs to a Panasonic DP-UB9000 Ultra HD player proved that the amp is equally stellar with off-
disc Dolby and DTS feeds. Dr Strange in the Multiverse of Madness (4K Blu-ray) is an Atmos favourite, packed with action, atmosphere and effects. Yet the AVC-A1H does not let the special effects get in the way of dialogue or the movie itself, simply creating the perfect backdrop to immerse you in the plot. With the in-room volume levels heading north of 100dB, its sound didn't show any strain, hardness or compression, which is a testament to that multiversally mad power supply. If I were using all 15 channels, maybe that would have depleted current reserves, but it certainly didn't with only 11 on the go.

A week of Blu-rays, Netflix, Prime Video and Disney+ later and the AVC-A1H sounded even better. In the first days, the spatial detail bordered on being a little edgy, 
yet that was gone after a period of running-in with the volume control north of 75-80 on the scale. And, dammit, 
I could not find a flaw in its sonic performance to write about – and that is without the optional MultEQ-X or 
Dirac Live room correction.

Stripping things back to try and grasp the amplifier's underlying nature, I hooked up a pair of high-end (£10,000) stereo speakers, put it into Pure Direct 
mode and streamed music from Tidal's MQA catalogue via HEOS, and Atmos spatial audio tracks via iTunes 
and an Apple TV 4K. The detailed presentation, exceptional soundstaging and lively balance were all there, complemented by taut and powerful bass, even without a subwoofer. Hand on heart, this is the first 
AV receiver I have ever reviewed (in over 25 years) that 
I would be 100 per cent happy to use in a reference stereo setup. The install flexibility and multiple zones make 
that easy to achieve as a separate entity to your surround sound system too.

Raising the AV bar
My time with this new Denon flagship has been revelatory. The only thing, for me, that niggles is the onscreen volume display being too bright – and you can turn that off. There are also no front AV connections for a quick game console hookup, but that doesn't bother me.

This beast of an amp is amazingly well-featured, boasts incredible specifications, offers class-leading flexibility 
in setup and EQ, and delivers the best sound from any integrated multichannel model I've heard. The AVC-A1H is another reference-class AV amplifier to add to Denon's outstanding list of achievements. Bravo!

HCC Verdict: 5/5

Denon AVC-A1H
Price: £5,999

We say: An imperious flagship AV amplifier that more than justifies its high price with an incredible feature set and stunning sound. Denon's A1 class has done it again.


DOLBY ATMOS: Yes DTS:X: Yes (Pro) IMAX ENHANCED: Yes MULTICHANNEL INPUT: No MULTICHANNEL PRE-OUT: Yes. 17.4 MULTICHANNEL OUTPUT (CLAIMED): 15 x 150W (into 8ohm, 20Hz-20kHz, two channels driven) MULTIROOM: Three, plus HEOS HDMI: Yes. 7 x inputs and 3 x outputs VIDEO UPSCALING: Yes. 8K AV INPUTS: 4 x digital audio (2 x optical and 2 x coaxial); 8 x analogue stereo DIMENSIONS: 434(w) x 498(d) x 195(h)mm WEIGHT: 32kg

FEATURES: Audyssey MultEQ XT32 room EQ with MultEQ-X and Dirac Live upgrade options; 8K video passthrough/upscaling; HEOS and AirPlay streaming; 360 Reality Audio and MPEG-H immersive audio; 32-bit DACs; 32-bit DSP; up to four independent subwoofers; XLR subwoofer connections; balanced XLR stereo input; phono (MM) input; control system integration; backlit metal remote control