Ultra HD Blu-ray

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Mark Craven  |  Mar 28, 2018  |  0 comments

Westworld stretches the term 'original series', as for this sci-fi Western HBO has simply reimagined the 1973 Michael Crichton flick of the same name. Yet it's successfully taken that film's premise (a Wild West-themed 'park' populated with androids), flipped it so the audience focus is mainly on the A.I. rather than attendees, and expanded it into a layered narrative spanning this first 10-episode season and at least a second run due to air in 2018. Even if the Yul Brynner movie didn't float your boat, this is worth a watch.

John Archer  |  Mar 23, 2018  |  0 comments

If you’re one of those people who take your Marvel superheroes a bit too seriously, you might not like Thor: Ragnarok.

Anton van Beek  |  Mar 20, 2018  |  0 comments

As far as comic book superheroes go, Spider-Man ranks right up there alongside Superman and Batman when it comes to name recognition. Yet unlike those DC heroes, if you discount theatrically-released re-edits of the '70s TV series, rights issues meant that Marvel's webslinger had to wait until the start of the 21st century to make his bigscreen debut.

John Archer  |  Mar 10, 2018  |  0 comments

After painstakingly eroding the charm of the first Pirates Of The Caribbean film with three increasingly leaden sequels, Disney here tries to reboot the franchise by pretty much remaking the first one, with a bit of the second thrown in for good measure.

John Archer  |  Mar 06, 2018  |  0 comments

Studio rights shenanigans have given us so many Spider-Man films in the past couple of decades that your heart is probably sinking at the thought of watching another one. But by going back to the character's comic book roots and adding Spidey to the Marvel Cinematic Universe, Spider-Man: Homecoming does genuinely bring something new to the table.

John Archer  |  Mar 02, 2018  |  0 comments

It's almost impossible to imagine Francis Ford Coppola's extravagantly bonkers adaptation of Dracula getting made today. It's just too out there. Which means, of course, that it's a cult classic.

John Archer  |  Feb 28, 2018  |  0 comments

If you're expecting the latest …Planet Of The Apes to be an all-out, action-packed war film, you're out of luck. Instead you get the new trilogy's most intimate focus yet on lead ape Caesar. And for the most part, we're just fine with that. Okay, so this narrow focus sometimes leaves the film's human antagonists feeling a touch under-developed. However, the result is still an emotionally rewarding and visually stunning film if you buy into what it's trying to do.

Anton van Beek & Mark Craven  |  Feb 23, 2018  |  0 comments

Having settled down with the Brown family in Windsor Gardens, Paddington's life is thrown into turmoil when he is falsely imprisoned for the theft of a rare pop-up book. With the real criminal still on the loose, the Browns spring into action – but what is a marmalade-loving bear to do when he's trapped behind bars with a bunch of hardened crooks?

Mark Craven  |  Feb 18, 2018  |  0 comments

Steven Spielberg followed up 1975's Jaws two years later with this superior sci-fi drama that centres around a fine performance from Jaws alumnus Richard Dreyfuss and some memorable VFX.

Mark Craven  |  Feb 16, 2018  |  0 comments

Say 'Spielbergian' and E.T. the Extra-Terrestrial is the film that probably pops into most people's heads. On the surface, it's a simple tale of boy meets alien, boy and alien become friends, boy loses alien, but like all good flicks there's more here than mere story, from the wonderful puppet design and John Williams's spine-tingling score to the script's understanding of its childhood characters and Spielberg's deft direction. It treads a fine line between involving drama and syrupy sentimentality, though.

John Archer  |  Feb 12, 2018  |  0 comments

This crime thriller hit cinemas earlier this year like a force of nature. Writer-director Edgar Wright's combination of ultra-slick action, rocking indie soundtrack, cult characters, music-based editing and memorable dialogue came out of nowhere to persuade us that, mercifully, there are still people in Hollywood willing to take a big-budget chance on a strong script and original idea. Kudos, too, to A-listers Jamie Foxx, Kevin Spacey and Jon Hamm for recognising this tale of a reluctant but talented getaway driver as worthy of their participation.

Richard Stevenson  |  Feb 08, 2018  |  0 comments

The latest and fifth instalment in the long-running Transformers franchise re-imagines the Arthurian legend with giant robots, opens with a medieval battle sequence and heads rapidly downhill from there. It's 2 hours and 27 minutes long with what feels like 2 hours 25 minutes of relentless action. There might have been a plot, but it gets entirely lost in the unremitting battles, hackneyed characters and puddle-shallow dialogue.

Mark Craven  |  Feb 06, 2018  |  0 comments

It's been 21 years since Trainspotting cemented the reputation of director Danny Boyle and made leading man Ewan McGregor a star. Now we get a sequel, and the lengthy gap between instalments certainly works in its favour – the passage of time giving this eventual reunion of Trainspotting's four major players (Renton, Sick Boy, Spud and Begbie) plenty of narrative scope and tension.

John Archer  |  Feb 04, 2018  |  0 comments

From its tortuous attempt to incorporate an 'eight' sound into its original US title (The Fate of the Furious) to its laboured bid to shoe-horn in an old-school race and its truly bonkers finale, this eighth instalment of the Fast and Furious franchise sometimes feels like it's trying too hard. Fortunately, though, some super-slick, energetic and spectacle-driven direction from F. Gary Gray keeps your pulse rate high, while the cast are now so comfortable in their characters that they manage to inject oodles of charm into proceedings.

John Archer  |  Feb 02, 2018  |  0 comments

This 4K release of the 2005 King Kong remake carries two versions of director Peter Jackson's monkey movie: the theatrical release, and an extended cut. At 188 minutes and 200 minutes respectively they remind us of Jackson's difficulties with editing himself – and the shorter version is notably superior. However, it is beautifully shot, and features some strikingly intense set-pieces. The film also builds a genuine emotional connection with the big ape.

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