AV Receivers

Canada: a land of sweeping mountains, pine forests and ice hockey, where maple syrup rules and giant moose walk the streets. But what the country is becoming increasingly famous for is its rather tasty AV equipment.

Denon’s AVR-4311 is the first serious AV receiver to feature Apple’s AirPlay media streaming technology. The latter was part of Apple’s iOS 4.2 launch last November and is essentially a new version of AirTunes for Apple’s AirPort Express wireless network system. The difference this time is that AirPlay has a much wider remit, with the capability of wireless media streaming to and from any current iOS4.2 device or to any AirPlay-enabled third party electronics. If that sounds a little familiar, this is just what DLNA promised and has thus far only half-heartedly delivered.

Coming to the ring in its all- black livery is Denon’s latest middleweight contender, the AVR-2311. The latest in a long line of Denon champions, this model is more an evolution of the heavy-hitting 2310 than a revolution in its own right. That said, the predecessor had a lot going for it, including a fast-paced and exciting sound, plus a feature list that had much of the competition whimpering in their respective corners.

The 7.1-capable RX-V567 from Yamaha – a company that has played a pivotal role in popularising home cinema – is not the most affordable model in its line-up, but at £400 still looks like a bit of a bargain. The problem is, almost every other AV brand is aggressively targeting this end of the market, so does it do enough to stand out?

I confess that I have never really been excited by Marantz’s AV receivers. They were never ahead of the features game and always aired too much on the side of sonic caution for my liking. Safe, reliable, solid and about as exciting as endurance snail racing. When the SR7005 arrived I brewed a really fresh cup of Horlicks, put my slippers on and settled down for an evening of light entertainment.