AV Receivers

Harman/Kardon steps into the crowded, competitive midrange receiver market with the AVR 171, a product packed with compelling cutting-edge features and an impressive specification.

When it comes to crafting AVRs, Arcam is very much from the old school. It's more concerned with the purity of performance than the number of logos on the box, an ethos that has earned it audiophile adoration, if not the attention of feature-seeking budget buyers.

If traditional home cinema is to flourish, it needs AV receivers like the Marantz NR1604. It’s no secret that real-world consumers have fallen out of love with the surround sound behemoths of yesteryear – incredible hulks just don’t cut it anymore (unless they’re green gamma-soaked scientists). Home audio has downsized dramatically, and AVRs have been slow to follow suit. Just as well then, that this third iteration of Marantz’ slim-line NR models is, simply put, the best yet. When it comes to form, functionality and outright fun the NR1604 pretty much nails it.  It goes without saying that by its nature this style of receiver isn’t so much about reckless performance, as usability (an often ignored phrase in the hedonistic world of home theatre). The dinosaur, it seems, is evolving.

It's probably fair to say that Arcam doesn’t rush its AV receivers to market. It’s been four years since the launch of the brand’s last flagship, the AVR600, which in the world of home electronics is something of an age. At least the brand doesn’t undersell them when they arrive. The AVR750, it says, is not just the finest home cinema receiver it’s ever made – it’s also the best-sounding stereo amplifier, too. Quite a claim, and the guys from Cambridge may well be right.

AVR manufacturers are obsessed with matching their TV counterparts and introducing a gamut of new models each year, despite bona fide audio developments being few and far between. As such, Pioneer's VSX-923 represents a revamp of the VSX-922 (itself a revamp of the VSX-921), sharing many of the same features and design. In fact, apart from doing away with the drop-down flap on the front which hid the USB input and setup mic jack, the front of the VSX-923 is identical to its forebear. This equates to a nice big display flanked by two hefty knobs (volume and input selection), all set off by a brushed black chassis that will match the other noir components on your rack. It's kinda stylish, in a discreet sort of way.

Sitting in the shadow of Yamaha’s flagship Aventage receiver, the £1,500 RX-A2020 is a big and hefty lump of AVR goodness. The range build and cosmetics are superb, even if there is a serious hint of Harman Kardon about that full-width black Perspex screen, and the display is bold, bright and large enough to see from the other side of the room – even if you live in a sports hall. The rest of the fascia is pleasingly minimalistic and the sculptured knobs, different sizes at that, have a cool and solid feel to them.

Somewhat dispensing with the preamble, Denon’s AVR-4520 takes the AV receiver market by the scruff of the fascia and gives it a good shake. This flagship model does cost a significant chunk of money but it is one of the most flexible, well-featured and cleverly thought-out AVRs ever made. Add to this a stunning sound quality that strikes the perfect balance between detail and dynamics, and you have a product that will absolutely delight movie and music fans. We love it.