Subwoofers

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Adam Rayner  |  Aug 01, 2015  |  0 comments

The 212SE, the newest venture from sub-bass specialist REL, is a mighty quad-driver woofer capable of making profound, structure-borne seismic lows that will flow through walls and foundations. It probably isn't fit for semi-detached suburbia, unless – like me – you have The Best Neighbours Ever.

Ed Selley  |  Mar 25, 2015  |  0 comments

As a company, SVS has taken the ‘no substitute for cubic capacity’ maxim and flogged it to death. Then flogged it a bit more. The PB-2000 subwoofer is at the affordable end of its portfolio but it is still a huge piece of kit. The PB classification denotes a ported model, so as well as a 12in forward-firing driver, there is a 4in port working on the same axis. Now, no 12in woofer is ever going to be tiny, but at 55cm deep and over 50cm high, the PB-2000 is a bit of a whopper.

Adam Rayner  |  Aug 15, 2014  |  0 comments

REL makes superb active subwoofers in general and this one is so good, it is peer to at least one 15in model and other products nearly twice the price. In the S5, driver and amplifier engineering have created a new benchmark.

Mark Craven  |  Jun 30, 2014  |  0 comments

Priced at £650, the SB-2000 is targeted at those eager to sample the delights of serious subwoofer technology without breaking the bank, or rearranging their furniture. A sealed design (SVS has a new ported woofer, too, the PB-2000), the American manufacturer claims it's 'compact'. I'd take that with a pinch of salt – it's not massive, but it's hardly dinky.

Ed Selley  |  Aug 30, 2013  |  0 comments

SV Sound (SVS) was a pioneer in the field of direct sales in its native US and carved out a solid reputation for producing no-nonsense designs that punched well above their price point. Initially, it mainly offered cylindrical types, which we've previously likened to giant-sized scratching posts, but more recently the designs have also included more conventional boxes, like the SB12-NSD reviewed here.

Ed Selley  |  Aug 19, 2013  |  0 comments
REL Acoustics has been at the business of subwoofers for a very long time and has a slightly different set of design priorities to many other brands. RELs were originally all about giving a bit of low-end shove to your stereo system before ‘home cinema’ was a gleam in Dolby’s eye. To this end, the T-7 is a somewhat different proposition to many of its rivals.
Ed Selley  |  Aug 14, 2013  |  0 comments

German brand Quadral has been selling in the UK for some years now and its range of technically innovative speakers is designed to be as comfortable in multichannel as they are in stereo, hence the need for dedicated subwoofers. The Qube 10 is one of three new arrivals. 

Ed Shelley  |  Aug 07, 2013  |  0 comments

I first encountered the ForceField3 as part of a complete GoldenEar system last year and it left quite an impression. With 1,000W on tap, the ForceField3 has over twice as much grunt as many of its mid-priced competitors.

Adam Rayner  |  Jul 25, 2013  |  0 comments

SVS was once famed for making subwoofers only for lonely nerds who could get away with standing a bass tube bigger than their girlfriend in the corner of the room. Mostly because they didn’t have a girlfriend. And, while it does still make those bonkers bassmakers, SVS also offers two other forms of woofer – smaller and more cubical large-performance ported items and a series of compact, sealed woofers. The SB-1000 is from the sealed series and is SVS’ idea of as small as any sane person could go, bass-wise.

Adam Rayner  |  Aug 23, 2012  |  0 comments

There are few audio companies with a history as mighty as Tannoy. Like Xerox and Hoover, this is a brand whose very name became the description of an entire product category. Thus the ding-dong gongs at my holiday hotel were made, as my dad would say, through the ‘Tannoy System’.

Adam Rayner  |  Jul 29, 2012  |  0 comments

I’ve heard a lot of extraordinary sound in my time. Niagara Falls’ roar, the rumble of the geothermal heat release vent outside Reykjavik, and even a sonic boom from Concorde. All of which is why I adore REL, and the monstrous subwoofers it makes, so much.

Ed Selley  |  Mar 19, 2012  |  0 comments
You have to love the phrase ‘doing the doof-doofs’. A silly term for describing a clever technical process where a device, either a subwoofer or a system-tuning equaliser, has both voice and ears. The voice makes tone burst sounds that sweep from low to high (and go ‘doof-doof’) and the ears are the microphone, supplied with the Velodyne EQ-Max12 – part of a new range of mid-priced subs from the LFE brand. The Digital Signal Processor inside is a five-band parametric equaliser – and it strives to set the woofer to best suit not just your room, but exactly where you put and point it.
Ed Selley  |  Dec 13, 2011  |  0 comments
Like a wolf in sheep’s clothing Adam Rayner finds that the power behind this sub belies its cute size

If you have a copy of Men in Black II or even Stuart Little II on DVD then you have the 2001-2002 Academy Award-winning animated short, The ChubbChubbs. Its stars are some impossibly cute, fuzzy things that look like ducklings with noses like piglets – yet they turn out to be scary monsters with huge teeth and a terrifyingly large appetite.

Ed Selley  |  Dec 13, 2011  |  0 comments
Wharfedale is one of the UK speaker brands that has been in my awareness for longer than most as it makes stuff that is generally better VFM than just about anyone. And that keen value continues today with this particular line of subs, the PowerCube. This woofer comes in 8in, 10in and 12in flavours and I reckon it’d be brilliant if it also came in a 15in or an 18in, as Wharfedale has packed some lovely stuff in here, but the price is kept low, despite recent increases in the cost of electronics from China.
Ed Selley  |  Sep 02, 2011  |  0 comments
Coming up with a natty little subwoofer that can look like a radiator just isn’t SVS’ style. Neither is designing a tiny box with a bonkers amplifier to make it all but explode with power.

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