Soundbars/Soundbases

Call me easily impressed, but it was within minutes of getting Philips' Fidelio FB1 soundbar up and running that I'd decided I was smitten. Not by its audio performance – at least, not at that point – but by the illuminated ring light that surrounds its two upfiring Dolby Atmos drivers. This light doesn't have to be on all the time (that could get annoying) but it's a clever, bonus design effect that I like.

Bowers & Wilkins' Panorama 3 soundbar may not come with a subwoofer, but it still drops deep. I've got Bad Guy booming out, and the bass beat on this Billie Eilish 'banger' is brutal. The instrumentation is minimal, but the 'bar still spreads it wide, musical flourishes placed far apart. It's a reassuringly raunchy musical performance for what is ostensibly a home cinema product aimed at the no-fuss streaming movie market.

Some soundbars prioritise convenience and price, while others prioritise sound quality, features and versatility. Sony's new HT-A7000 is very much one of the latter.

The soundbar market is saturated, but amongst the myriad models it's possible to see trends, as brands coalesce around specific price points and feature sets. A disadvantage for Denon's Home Sound Bar 550 (beyond the somewhat clumsy name) is that its basic specification – a compact 'bar with no subwoofer, Atmos/DTS:X decoding with no upfirers – is mirrored by models around the £300 price point. And it sells for £550.