Subwoofers

Although I’m not as familiar with Paradigm as with some brands, I’ve now heard a bunch of its loudspeakers and have learned one essential thing. It uses lots of cone area in its kit, albeit by slapping lots of midrangers into the towers, or by cramming a 10in woofer into the sort of box most normal people would only use for an 8in.

Perlisten Audio certainly knows how to make an entrance. A new brand out of Wisconsin in the US, it debuted with its S Series loudspeaker range (HCC #331), which culminates in the £16,000 S7t floorstanders, and to avoid the trap of only appealing to music lovers, it delivered a range of subwoofers to match. The biggest of the bunch is the D215s, auditioned here.

German brand Quadral has been selling in the UK for some years now and its range of technically innovative speakers is designed to be as comfortable in multichannel as they are in stereo, hence the need for dedicated subwoofers. The Qube 10 is one of three new arrivals. 

REL has long touted its ability to make subwoofers that work equally well with music and movies – but if you're only interested in home cinema, the HT Series is for you. This range is specifically designed to slot into a multichannel speaker system, dropping the high-level Neutrik Speakon connectors to concentrate on LFE signals from an AV processor or receiver.

REL's dedicated Home Theatre (HT) Series subs have been winning over home cinema enthusiasts for a few years now, with a three-strong lineup in 10in, 12in and 15in guises packing 300W, 500W and 800W amps, respectively. The naming protocol is genius too; HT/1003, HT/1205 and the original flagship HT/1508 (HCC #296) came to our auditoriums with the suffix 'Predator'. So in just one word the company gives you a big clue about what to expect, the HT Series models being more affordable than REL's dual-purpose music/cinema subs, and focused on maximum LFE bangs for your buck.