LATEST ADDITIONS

Mark Craven  |  Feb 19, 2013  |  0 comments
We regularly see Kaleidescape setups in professional cinema installs. Premium movie player/server combis, they're priced beyond the aspirations of the thriftier home theatre enthusiasts, who are more likely to make do with a combination of NAS drive, media player software and massive jumble of metadata mess. Yet part of the appeal of Kaleidescape, beyond its sophisticated-looking hardware, is the super-slick user interface, idiot-proof usability, and its Movie Guide database. The latter stores info on literally hundreds of thousands of titles so that whatever disc an owner adds to their system, the necessary metadata appears. Kaleidescape claims it's unique. We spoke to Simon Diplock, from Kaleidescape UK, about what makes it tick.   'A typical day in Movie Guide requires skill and agility,' jokes Diplock. 'Leaping over boxes while balancing a tower of discs in one hand and a remote control in the other is not something just anyone can do.' More seriously, Diplock admits that his days aren't just spent watching films. 'The job requires more than you would imagine. Every day, DVDs, CDs and Blu-ray discs are delivered to each of our offices for special processing. And there, the journey of the disc begins.'   'While the disc imports, we gather up all the crucial metadata about the film: who’s in it, who directed it, which year was it released, which studio made it, what is its rating, how long it is. All of this goes into Kaleidescape’s proprietary database.   'After typing all this out, Movie Guide artistry comes to life. What’s the movie about? Can you type that in 25 words or less and make it snappy and interesting? We write a short synopsis of each film that does just that.'   This is just the tip of the iceberg, however. Once the cover art has been scanned in, Kaleidescape prepares to 'slice and dice' the disc.   Eh? Diplock explains.'The start and end points of the film are marked so that any custom controls programmed by the installer who fits the system will sync with the movie, like lights fading in time with the credits and popcorn popping from the nearby machine when the homeowner presses play, etc. The aspect ratio and borders of the film are also 

Jean Nightingale  |  Feb 18, 2013  |  0 comments

A revolution is underway in your local cinema. 'Older' audiences have broken out of the special screening ghetto that multiplexes used to put on in the hope of pulling them in, and are now spending significant amounts of money at the box office. And realising that they aren't necessarily looking for films about its usual subjects (superheroes, serial killers and the like) Hollywood has set about making films aimed specifically at this more mature demographic, resulting in recent hits like The King's Speech and The Best Exotic Marigold Hotel.

Anton van Beek  |  Feb 16, 2013  |  0 comments

Whether your prefer 2007's Blde Runner: The Final Cut, 1992's Director's Cut, the 1982 US Theatrical Cut, the 1982 International Cut or the original Workprint, Ridley Scott's blend of sci-fi and film noir remains as philosophical, enigmatic and absorbing as ever. An unmissable movie.

Anton van Beek  |  Feb 11, 2013  |  0 comments

Michael Mann's lavish screen adaptation of James Fenimore Cooper's novel makes a belated bow on UK Blu-ray. The AVC 2.40:1 1080p visuals are extremely dark and grainy, which often robs the picture of detail and gives it a softer appearance, but this appears to be true to the source material. The visuals are backed-up by a powerful (if front-heavy) DTS-HD MA 5.1 track that comes alive during battle scenes. In addition to the so-called 'Definitive Cut' of the film, the BD also includes a chat-track and a three-part Making of… documentary.

Anton van Beek  |  Feb 09, 2013  |  0 comments

The hit 1993 Bill Murray comedy gets its chance to shine in the hi-def spotlight with this new 'Special Edition' Blu-ray release. The film certainly looks like a product of its time, with the AVC 1.85:1 1080p encode exhibiting plenty of heavy grain – although Sony's restoration team ensure that this doesn't detract from the clarity of the image or accuracy of colour rendering. The Dolby TrueHD 5.1 mix is mainly focused on the front of the soundstage. Extras from earlier DVDs are joined on this Blu-ray by a new pop-up video trivia track hosted by Punxsutawney's own 'Needle Nose Ned'.

Anton van Beek  |  Feb 08, 2013  |  0 comments

Jennifer Lawrence and Elisabeth Shue add some class to this disappointing flick that aspires to the status of 'A Hitchcockian thriller… geared towards a younger audience' (according to producer Aaron Ryder), but simply comes across as being a completely formulaic, forgettable and surprisingly bland addition to the girl-in-peril sub-genre. On a positive note, the Blu-ray's grainy AVC 2.40:1 1080p encode authentically replicates the film's striking visual style, while the DTS-HD MA 5.1 mix holds some pleasing surprises (particularly during the finale).

Anton van Beek  |  Feb 07, 2013  |  0 comments

This new boxset collects together eight films that bare Tarantino's DNA – Reservoir Dogs, True Romance, Pulp Fiction, Jackie Brown, Kill Bill: Parts 1 and 2, Death Proof and Inglorious Basterds. As these are the same Blu-rays that have been available to buy separately, it might not look like there's anything fresh for fans to sink their teeth into. However, the set also contains two new bonus discs. The first hosts an exhaustive 290-min round-table critical analysis of Tarantino's films, while the second houses 133-min of additional interviews with the filmmaker's admirers and colleagues, a previously unreleased 32-min Jackie Brown Q&A and five Django Unchained trailers.

Anton van Beek  |  Feb 07, 2013  |  0 comments

The battle for the throne of Westeros continues to heat up in this adaptation of the second novel in George R.R. Martin's series.

Anton van Beek  |  Feb 06, 2013  |  0 comments

Fans of Frank Oz's blackly comic musical about a man-eating plant are well-served by this recent region-free US Blu-ray release. Not only do the (authentically grainy) AVC 1.78:1 1080p encode and remixed DTS-HD MA 5.1 audio make it look and sound better than ever, but the disc also includes the option to watch the 'Director's Cut' of the film which features a meticulous restoration of the original downbeat - and somewhat more spectacular - finale. Also included on the disc are a director's commentary (plus a separate chat-track for the alternate ending), two retrospective featurettes, outtakes and deleted scenes and two trailers.

Mark Craven  |  Feb 05, 2013  |  0 comments

For a period during the late 1970s and early '80s, everything director Walter Hill touched turned to solid gold. The Driver, The Warriors, The Long Riders, 48 Hrs and Streets of Fire sandwich 1981's Southern Comfort to complete a triumphant run of movies that marked him out as one of Hollywood's greats. Then he made Brewster's Millions and everything went downhill.

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